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STAY GOLD

by Polysonic Joy

supported by
Scott Marks
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Scott Marks An epic tangle of emotion, production, bitterness, songwriting, talent & ego that deserves your attention. Favorite track: Crucifix.
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    ALSO: bunch of weird bonus tracks when you get the whole album including "same difference"
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1.
Intro 03:05
once there was a woman with a bunchy silk red dress she would drink too much and you might say she was a mess when she met a man who was fifteen years too young she thought she'd have a fling so right at him she flung this album is the product of this dark and stormy tale if one of them's ishmael then one of them's a whale some water spots are forming up above the kitchen sink and the cat has witnessed things that no one even wants to think i still have a scar from when i went to get my stuff the drummer sat and watched while she attacked me quite enough she said she'd call the cops if i at all did defend and he said that he thought i was strong enough to throw her off a bend so, this music, fraught with more turmoil than you can think is a special thing: a bite to eat, a bit to drink.
2.
simple satisfaction where are you attained passing by your sihouettes in windows you are framed gotta make the money money i don't need to go out and try to find the birds and the bees i can see through you though my eyesight's bad i got 20-20 vision when it comes to that been in worse situations i can deal with you when you walk around town like it's something new nobody wants to hear something with no heart nobody cares nobody cares if you wanna run i'll give you a head start pack up all your fears pack up your fears pretty young thing you were a child once so was i a while ago why can't we wonder like we did back then? where did that feeling go?
3.
Heroine Girl 03:14
i'm not discriminate to you heroin girl where is your world, lady, heroin baby? what have you made me? sharp, stark and crazy– heroin woman, long dark and lazy. come and breathe the fresh air with me the grass is shady your flag unfurled, i see you daily what have you gave me? your thought is hazy– heroin woman, your ways amaze me.
4.
been black to grey to in between i've seen more than some have seen i wait for rain i run from sun you could say i'm different been all across this fair city up and down every street i run in place it's how i run you could say i'm different and you could take the bad times and give em to me and i'll just grind em up like some kinda machine and if by some coincidence you're going somewhere i could take you there i'm a sorrow machine i live on the bad dreams sorrow machine oh yeah, that's me been up and down down and out side to side all around i wait for pain it's how i run you could say i'm different been all across this wide frontier ridden round like paul revere i can't quite seem to want to be moving through life happily been up and down in and out don't know why don't know how i end up here with no regrets at least i don't have any yet
5.
Heart Attack 03:01
rain fallin inside my head washing away every part of me as you get older you just feel more dead yeah you know more but it's too late to take it back like a heart attack we fell in love can't admit that we're so low that it's almost like there's hell above if we don't fly, we'll never know train whistle at half past ten found out i couldn't pay the rent hopped on and let it roll away let my life go on the railroad track like a heart attack we fell in love can't admit there's hell to pay and you know the clouds above pay us out every time it rains it rains inside my head makes me feel more dead all i see are silhouettes of things i should have said
6.
Mystery 03:10
some places i've never been never plan to go some people i've never seen never plan to know heartbreak is a mystery both the how and the when O baby for just one life won't you give it a rest– come here and kiss me again. politicians say it's our right some people say it's a shame preachers say it's the holy light some people say it's a game love was always a mystery both the how and the when O baby for just one life won't you give it a rest– come here and kiss me again. the hustle bustle of the daily life they're back at it again back and forth on the busy street it seems so pointless to me, but then: our behavior's a mystery both the how and the when O baby for just one life won't you give it a rest– come here and kiss me again. kiss me again and we'll look for clues on each other's skin kiss away all the night time blues, it's so good to be together again the human body's a mystery both the how and the when O baby for just one life won't you give it a rest– come here and kiss me again.
7.
Crucifix 03:26
went to bed at five am feeling dryer then lichen it's what i want, my major haunt of life: do what i can if i could, i would do what i can passing out the list of names passing out, shut down my brain this crowd is not a holy lot tonight and i'm to blame: if i could, i would just take the blame talking to a jesus whiz he don't know what zero is i know well cause i'm in hell tonight none of his business why, and i don't want him trying to forgive come in darkness, have a seat maybe you'll remember me might be blunt or too upfront for you: don't wanna see the light i'm happy in the night when i feel free tell me where my freedom died i stuck it in its holy side in no harm is where i want to be i crucified my mind: oh yes i did, my mind was crucified.
8.
if hell is hot is heaven cold? if silver rusts, why doesn't gold? the lining right below the glass can suck the soul: your fears with poor foundations and no floor or ground to stand float before my eyes on a blinding one dimension i can almost understand why you're dead scared to dive so you delve into the ocean, only place you feel alive: the ocean of your eyes fear her, the mirror when you're here, you can see me for me, oh and she thinks she can and so does she, but it is you: me for me i'm gonna save you, one of these days so we can grow young and old: if hell is hot, is heaven cold?
9.
Terrified 04:04
well now i had to catch my breath when i first met you and i been breathin less and less ever since i made it up that you were out to get me and that is what you said with every single hint you got me terrified so that i bury my head in my hands cause i can't look feel like i lost my mind got no spine and you're a very scary book terrified so i can't close my eyes when i am layin in bed at night– terrified! well now i had to pinch myself when you came with me i knew it couldn't last more than a day i'll tell you what just magnified the mystery was when you said you had somethin you needed to say: you said... you got me terrified so that i bury my head in my hands cause i can't look feel like i lost my mind got no spine and you're a very scary book terrified so i can't close my eyes when i am layin in bed at night– terrified!
10.
Grow 05:11
summers in suburbs, youthful compost of dreams sealed away in jars for nostalgia to keep discover for yourself all the things you like best in all the little tiny places that you'd never expect i try to question what i'm here in life for having very few answers leaves me feeling poor wondering how far in life you get to go is just like wondering how tall the trees will grow
11.
12.

about

the lovechild of an awful relationship and curdled friendships.

credits

released September 1, 2015

Polysonic Joy was, on this album:

Simon "Stalin" Brown – Vocals, Guitar, Synthesizer, Cello
Jon "I Now Play With the Idiots" Hanson – Guitar, Vocals
Tyler "I'm one of the idiots" Storie – Drums, Vocals
Alicia "no comment" Zaludova – Bass

Recorded by James Boska in three sessions in various places around Pittsfield, MA

Further recording, engineering, mixing, and mastering by Simon

Photos by Kyron Hanson, copyright 2015, All Rights Reserved

James Toner gives us free bandwidth for our website

Thank you to god
and mom and dad
to “L” Jon Hubbard
(good times were had),
and thank you to Jon
“Edward Penis” Hanson
for playing guitar
and looking like Charles Manson,
thank you to Tyler
“Donkey Schlong” Storie
for bleeding all over his drums–
it was gory!
thanks, ‘Licia Puddy,
and thank you James Boska,
and “Sweet Baby” Shane Bruno,
I thank: thanks a lots-a!
Jonnie McGrath crafted pedals that rocked
and fixed what was broken more often than not
and lent lots of gear that we've still got
(any time, I can give back the lot).
Kyron “Hands Off” Hanson
was a big help,
and Lindsay Lee,
she sold merchandise well.
Thanks go to Andy
"Gone West" Poncherello,
nobody ever booked shows
quite so well-o.
Joel Patterson gave us studio hours,
and a bunch of you goons
gave us love we devoured.
I’m happy for everyone
that helped this band–
thanks for the listens
and the helping hands. :)

All songs written and copyright 2015 Simon Brown except "Grow", written and copyright 2015 Jon Hanson
ALL RIGHTS RESERVED

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Polysonic Joy Pittsfield, Massachusetts

Polysonic Joy:
Three Haikus

two men, one lady
and another rocking like
your grandmother's chair

they experiment
too much for you? oh and you
think they sound too pop

they do what they want.
screw your preconceived notions
of what music is.

–Chuck Boopigski, Professional Drunk
... more

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